Rose Ella’s journey began in Albania, where she was born and raised. She developed a passion for skincare at a young age, learning from her grandmother, a skilled beautician. Her grandmother’s teachings instilled in her a deep understanding of natural ingredients and their transformative power.
Ela could also identify that a client might benefit from a deeper peel or a chemical peel. The summary mentions a professional who works with clients, potentially a skincare professional. This professional is emphasizing the importance of client interaction and empowerment.
Her artistic journey began with drawing and painting, but she quickly expanded her skills to include digital art, photography, and even filmmaking. Rose Ela’s artistic journey is a testament to her unwavering commitment to her craft. She has consistently pushed boundaries and explored new mediums, demonstrating a remarkable ability to adapt and evolve as an artist. Her work is characterized by a unique blend of realism and abstraction, often incorporating elements of surrealism and symbolism.
Ela told the RCT that her husband’s encouragement was the push she needed to open her business. When he asked her “‘you’re so passionate about [skin care], why don’t you give it a chance to become an esthetician?” Ela answered with the one phrase all wives are loath to say – “You’re right. You’re not wrong”. One week later she went to test for her esthetician license and received her license in one go. One week after her licensing, she had a job working as an esthetician. Here she quickly made her way up the ranks and became one of the most sought after estheticians at the salon. She made the move up to Nanuet in 2018 and has been running her own salon ever since.
Ela is a licensed esthetician with a strong commitment to client well-being. She prioritizes building strong connections with her clients, understanding their individual needs and concerns. Ela believes in a personalized approach to skincare, tailoring treatments to each client’s unique needs and concerns.
